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12mm ELite

The Flanders Scientific AM210 has been designed specifically to offer a new level of affordability in accurate and capable broadcast monitoring. The AM210 is large enough to be used in an edit suite yet lightweight, durable, and compact enough to work exceptionally well as a field monitor.

Color Management

FSI’s Color Fidelity and LUT Interpolation Engine houses multiple 4,913 point (173) calibration LUTs for accurate and reliable color reproduction. Instantly select from Rec709, EBU, SMPTE-C, and custom user generated color spaces.

Additional gamma, peak luminance, and color temperature toggles further add to the versatility of this monitor.

Calibration

FSI monitors come pre-calibrated from the factory and free recalibration is always available for customers that would like to send their units in to an FSI service department.

Quickly and easily perform your own 3D LUT based calibration with advanced color management solutions like LightIllusion’s LightSpace CMS or SpectraCal’s CalMAN.

RGB Parade

Parade waveform. Adjustable parade intensity. Levels above or below 100IRE showin in white for easier identification.

Audio Meters

This monitor features several audio metering tools as well as the ability to disembed any single channel or stereo pair of audio to the monitor’s internal speakers or audio line out. Disembedded audio is always delayed by the exact amount of video processing time to ensure proper lip-sync.

Horizontal Audio Level Meters

Display 2, 8, or 16 channels of audio arranged in audio groups or stereo pairs with real-time numerical display of dB levels per channel. Meters feature adjustable Alignment Level, Permitted Max Level, and Peak Hold Time. Select between True Peak, PPM Type I, or PPM Type II ballistics. Meters will indicate NO DATA if an audio group is not embedded in the signal to differentiate it from audio channels that may be mute, but still embedded.

Vertical Audio Level Meters

16 channel audio level meter display with adjustable Alignment Level, Permitted Max Level, and Peak Hold Time. Select between True Peak, PPM Type I, or PPM Type II ballistics. Meters will indicate NO DATA if an audio group is not embedded in the signal to differentiate it from audio channels that may be mute, but still embedded.

Measurement (8 & 10bit)

Get precise real-time YRGB measurements, both as a percentage and 8 or 10bit data values, of any point or sample area within your incoming signal. Set a spatial and temporal reference and compare with any other point to quantify the difference in values between any two points. Also quantify the difference in points as an F/stop value.

CIE Measurement

Visualize any point or sample area within your incoming signal on your choice of CIE 1931 x,y or CIE1976 u’,v’ diagrams. Values are shown relative to your current operating color space and regardless of diagram mode R’,G’,B’, Y%, x,y,u’,v’ values are reported at all times. As with the standard measurement mode a reference position can be selected and compared to any other position. The difference between current and reference positions is also quantified with a dE2000 value.

Markers

Choose from a wide assortment of standard markers and safety areas that can be displayed as lines, translucent overlays, or solid overlays. Lines and overlays have selectable colors for instant customization.

Don’t see the marker you need here? Send it to us as a 1920×1080 .bmp file and we can add it in a future firmware update.

Crosshatch

Generate an onscreen grid overlay with the Crosshatch function to help with camera pitch and angle relative to screen content.

Custom Graticules

Create custom rectangular markers quickly with the Custom Graticules feature that generates four movable lines on screen. Graticule line position and span between lines is reported for easy reference.

Lum Coloring (Adjustable Exposure Check)

Adjustable false color display of luminance values. 4 adjustment points allowing you to establish specific target areas to be shown in false color or greyscale.

Timecode

Size and position adjustable onscreen display of VITC1, VITC2, or LTC timecode pulled from SDI signals.

Tally Lights & Record Status Tally

Tally Light or on screen indication of camera record flag status pulled from SDI ancillary data. Let’s you know when your camera is recording without needing additional equipment.

*Not compatible with all cameras, camera must output recongnized SDI flag. AM420 and AM550 have on-screen tally only.

Zoom Modes

Pixel Zoom

For HD signals. Allows for highly adjustable artifact free zoom on any section of the image.

DSLR Zoom

Scales DSLR output so that only the portion of the image that will actually be captured to video is shown. Works with both SD and HD DSLR output.

CX Scale

Centered and zoomed-in display of the gate check output from a Codex ARRIRAW Recorder. This allows for easy fullscreen monitoring of the gate check output.

Zoom

For letterboxed SD content. Zooms in while preserving aspect ratio so that a 16:9 portion of the SD image is scaled full screen.

Full Screen

Stretches the incoming signal to fill screen, built for use primairly with rasterizers that output 1024×768 signals intended to be stretched to 16:9 by a connected display.

Overscan

5% Overscan Display.

SD Aspect Ratio & PAL SD FHA

Allows users to toggle from 4:3 to anamorphic display of SD signals. Can be combined with the pixel mapping feature for proper display of PAL SD FHA signals.

Anamorphic De-Squeeze

1.3x, 1.3x mag, 2.0x, and 2.0x mag anamorphic de-squeeze for use with HD signals.

Blue Only, Red Only, Green Only, and Monochrome

Blue Only, Blue Only Mono, Red Only, Red Only Mono, Green Only, Green Only Mono, standard Monochrome

Onscreen Alarms

Allows for unobtrusive signal monitoring with alarm window only appearing in case an actual alarm condition is met. Available alarms include adjustable IRE threshold exceeded, RGB legal levels exceeded, video black or video blue on screen for extended time, audio loss with adjustable time-without-audio trigger setting, and audio out of phase warning.

H/V DelayHorizontal and Vertical delay function with auto brightness increase to make analyzing vertical and horizontal blanking areas easier.

Still Frame

Pause on a single frame of an incoming source with a simple button press.

LED Lights

Allows users to turn off the monitor keypad’s LED Lights for optimal viewing in dark envrionments.

Luminance Interval

Optional power saving feature especially useful in control room applications. Monitor will go into low power draw standby mode when no signal is present for the amount of time specified.

Remote Control

GPI Contact Closure, Ethernet.

Specifications

Weight
Without batteries & media 650g / 22.9oz
With batteries & media 1094g / 38.6oz
Dimensions (W x H x D mm) 214 x 127 x 45mm, 8.4 x 5 x 1.8”
Construction High quality lightweight ABS Polycarbonate for durability & portability
Built-in armor protection
Power
Operating power 10 – 24W
Compatible batteries NP-F series and supporting accessories
Input voltage (battery) 6.2V to 16.8V
Battery time (based on 2 x 7.4V batteries)
5200mAh – up to 1.5hrs (monitor & record 4K 30p)
7800mAh – up to 2.2hrs (monitor & record 4K 30p)
DC In 1 x DC in (6.2 – 16.8V)
Continuous power
** Patent pending
Primary-secondary battery system
Change batteries without losing power
Loop batteries continuously
Touchscreen
Size 7.1”
Resolution 1920 x 1200
PPI 325
Aspect ratio 16:9 native
Color Gamut REC709 HDTV
Look up table (LUT) support 3D LUT (.cube le format)
Anamorphic de-squeeze 2x, 1.5x, 1.33x, Panasonic 8:3
Technology SuperAtom IPS panel (capacitive touch), calibration to Rec.709 with optional calibration unit
HDR
AtomHDR Yes
Supported Log formats Sony SLog2 / SLog3, Canon CLog / CLog 2, Arri Log C,
Panasonic Vlog, JVC JLog, Red LogFilm, FujiFilm Flog
Supported Gamuts Sony SGamut / SGamut3 / SGamut3.cine
Canon Cinema / BT2020 / DCI P3 / DCI P3+
Panasonic V Gamut
Arri Alexa Wide Gamut
Bit depth 10-bit (8+2 FRC)
Brightness 1500nit (+/- 10% @ center)
HDR input (PQ/HLG)
HDR output (PQ/HLG)
Yes / Yes
Yes / Yes
Video Input/Loop Out
HDMI 1 x HDMI (1.4b)
SDI 1x 4K-SDI 12G/6G or HD-SDI 3G/1.5G (SMPTE)
Signal Uncompressed true 10-bit or 8-bit 422
(camera dependent)
Video Output (Play Out)
HDMI 1 x HDMI (1.4b)
SDI 1x 4K-SDI 12G/6G or HD-SDI 3G/1.5G
Signal Uncompressed true 10-bit or 8-bit 422
(playback file dependent)
Supported Loop Out Formats
HDMI to HDMI 720p 50/60, 1080i 50/60,
1080p 24/25/30/50/60/120,
2160p 24/25/30
SDI to SDI 720p 50/60, 1080i 50/60
1080pSF 24/25/30
1080p 24/25/30/50/60/120*
2160p 24/25/30
Video Signal Conversion
HDMI to SDI 720p 50/60, 1080i 50/60
1080p 24/25/30/50/60/120*
2160p 24/25/30
SDI to HDMI 720p 50/60, 1080i 50/60,
1080p 24/25/30/50/60/120*
2160p 24/25/30
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